London-born Arnold Schwartzman began his design career in British television. He moved on to become an advertising art director and later joined the board of Conran Design Group as the graphics director. Also an illustrator for the London Sunday Times for many years, he designed two award-winning supplements for the Sunday Times Magazine: “Eureka” and “The Facts of Life.”
He moved to Los Angeles in 1978 to become the design director for Saul Bass and Associates. Four years later he was appointed the director of design for the 1984 Los Angeles Olympic Games. Since 1996, he has designed a number of commemorative posters and other key elements for the Academy Awards (the “Oscars”).
In 1982, Schwartzman received the Best Documentary Feature Oscar® for his film Genocide (1981). His other Jewish-related documentaries, as producer, director and screenwriter, include Echoes That Remain (1991), Liberation (1994) and Anna and the King of Lampedusa (2003). He also created a number of short videos for the Museum of Tolerance, as well as multi-screen video exhibit on the achievements of American Jewry and a mural on American Jewish history for the Skirball Cultural Center in Los Angeles.
He created two Art Deco-themed murals for the grand lobby of Cunard’s liner Queen Elizabeth, launched in 2010. In 2011, he was appointed the creative director of Harold Grinspoon Foundation’s Voices & Visions project, commissioning world-renowned design peers to illustrate quotes from Jewish culture.
His books include Airshipwreck with Len Deighton (Jonathan Cape, 1978); Graven Images: Graphic Motifs of the Jewish Gravestone (Harry N. Abrams, 1993); Designage: The Art of the Decorative Sign (Chronicle Books, 1998); Flicks: How the Movies Began (Academy of Motion Picture Arts and Sciences, 2001); DECO LAndmarks: Art Deco Gems of Los Angeles (Chronicle Books, 2005); the monograph A Persistence of Vision (Images Publishing, 2005); and London Art Deco (Palazzo Editions, 2010).
In addition to his film awards, Schwartzman has received numerous international design awards, including three silver awards from the Designers and Art Directors Association of London (D&AD). He received the 2000 Pacific Design Center’s Stars of Design Life Achievement Award for Graphic Design.
In 1974, Schwartzman was elected to the Alliance Graphique Internationale. In 2002, he was honored with the Order of the British Empire (OBE) for services to the British film industry in the United States, and in 2006 he was conferred the distinction of Royal Designer (RDI). In 2008, he was appointed to the board of governors of the University for the Creative Arts in the United Kingdom. London-born Arnold Schwartzman began his design career in British television. He moved on to become an advertising art director and later joined the board of Conran Design Group as the graphics director. Also an illustrator for the London Sunday Times for many years, he designed two award-winning supplements for the Sunday Times Magazine: “Eureka” and “The Facts of Life.”
He moved to Los Angeles in 1978 to become the design director for Saul Bass and Associates. Four years later he was appointed the director of design for the 1984 Los Angeles Olympic Games. Since 1996, he has designed a number of commemorative posters and other key elements for the Academy Awards (the “Oscars”).
In 1982, Schwartzman received the Best Documentary Feature Oscar® for his film Genocide (1981). His other Jewish-related documentaries, as producer, director and screenwriter, include Echoes That Remain (1991), Liberation (1994) and Anna and the King of Lampedusa (2003). He also created a number of short videos for the Museum of Tolerance, as well as multi-screen video exhibit on the achievements of American Jewry and a mural on American Jewish history for the Skirball Cultural Center in Los Angeles.
He created two Art Deco-themed murals for the grand lobby of Cunard’s liner Queen Elizabeth, launched in 2010. In 2011, he was appointed the creative director of Harold Grinspoon Foundation’s Voices & Visions project, commissioning world-renowned design peers to illustrate quotes from Jewish culture.
His books include Airshipwreck with Len Deighton (Jonathan Cape, 1978); Graven Images: Graphic Motifs of the Jewish Gravestone (Harry N. Abrams, 1993); Designage: The Art of the Decorative Sign (Chronicle Books, 1998); Flicks: How the Movies Began (Academy of Motion Picture Arts and Sciences, 2001); DECO LAndmarks: Art Deco Gems of Los Angeles (Chronicle Books, 2005); the monograph A Persistence of Vision (Images Publishing, 2005); and London Art Deco (Palazzo Editions, 2010).
In addition to his film awards, Schwartzman has received numerous international design awards, including three silver awards from the Designers and Art Directors Association of London (D&AD). He received the 2000 Pacific Design Center’s Stars of Design Life Achievement Award for Graphic Design.
In 1974, Schwartzman was elected to the Alliance Graphique Internationale. In 2002, he was honored with the Order of the British Empire (OBE) for services to the British film industry in the United States, and in 2006 he was conferred the distinction of Royal Designer (RDI). In 2008, he was appointed to the board of governors of the University for the Creative Arts in the United Kingdom.